“In spaces that have social issues, my work is about bringing people together,” JR told The Art Newspaper during a launch event for the work in Piazza Duca D’Aosta, a vast square in the shadow of the station’s 50m-tall facade. “In a place like this, a huge range of people come to catch the train. When they find themselves in front of an exhibition, they will suddenly have a different kind of interaction.”
The installation — which is timed to coincide with Milan Design Week, and runs until May 1 — harks back to a golden age of rail travel in northern Italy. Decades before dictator Benito Mussolini inaugurated the station in the 1930s as a monument to Fascist power and might, King Vittorio Emmanuele III laid its symbolic foundation stone in 1906, shortly after the completion of the trans-Alpine Simplon tunnel that connects Italy and France, and turned Milan into a transport hub.
Commissioned by Stazione Centrale, the piece evokes the mountains from which the tunnel was excavated, with paper images glued onto vertical slats and distributed to form a layered composition with the station visible behind. As with JR’s previous installations at Florence’s Palazzo Strozzi and Rome’s Palazzo Farnese in 2021, the artist creates the effect of a gash — this time a tunnel-like void — cutting through the grand building.
However, while the Florence and Rome projects consisted of flat images mounted onto the fronts of the buildings, in Milan JR has tried to create a sense of depth. “It is the first time I do something like this with many layers,” the artist said. “The building is pretty intimidating, I rarely work on buildings that are this big,” he added. “It took me a while to really work out how to get through that station.”
JR hopes the installation will show the area in a new light.
“While the exhibition is temporary, even when it’s gone visitors will never see (the station) in the same way,” JR said. “Changing perspectives on things is always a way of looking at the world differently, and that’s what I always aim to do, no matter the circumstances.”
